The production team of Skrillex, Lido, and Poo Bear help outfit Carey with one of those jams that knocks so hard, it’s like quiet storm for a planet on the brink of climate apocalypse.
— If the Drake of “Hotline Bling” sounded a little bitter watching ex-flames wearing less and going out more, you could even say he’s developed some grudging respect: The women of “Nice For What” have demanding jobs, fire selfies, and no time for slow songs. But the band’s fourth album, its most refined yet, lets the simple roller rink jam ride. In a short three minutes, Taylor sings of relationship troubles and pines for reparations. But the track itself never strays far from its stomping mid-tempo groove.

No one else has been through Elverum’s life, but plenty of people can relate.
The bootstraps mentality and valorization of poverty in DIY culture is not so different from the life of any creative who has to work within the boundaries of capitalism, having their idealism constantly used against them: while administrators pull six figures; ground operatives doing the thankless work of making incremental progress in rigged electoral states; whoring themselves out for a shot at Amazon HQ2; anyone who’s ever been exploited as an unpaid intern or compensated in “exposure” and, all the internet writers purged in “pivot to video” boondoggles that were little more than excuses to cut payroll. It’s one of just a few proper “songs” on a largely instrumental soundtrack album, and feels like a stripped-down take on a Radiohead track. He’s just having fun. Doman based on a serpentine wisp of a vocal sample. With “Sentient Beings,” the most beguiling song on an album full of them. The Top 40 Pop Songs Of 2018. I didn’t notice. Regardless, the line sets the tone for a song that succeeds on goofy charisma and intoxicating sonics, making high-volume purchases of various illegal substances sound like something Rich does on a whim between rounds of Xbox. He does sound like he might’ve, but then all of “Going Steady” is about a similar feeling: the dizzy, lightheaded anticipation of new love, and especially love not yet found. “Don’t you like me for me?” she asks. The lyrics expand the scope more than the runtime even does, with noir-ish energy radiating from lines like, “I pave the backstreet with the mist of my brain / My thoughts were pouring down with the rain.” Another highlight almost gets swallowed in the tension of the bridge, where running a red light is justified because “it’s just the necessary price you pay / if you listen to your instincts.” Only a last-minute saxophone solo releases the tension, going towards security and past the point that the relationship could fall apart at any minute. — Power Trip didn’t release a record this year, but with a near constant presence on the road () you’d be forgiven for thinking otherwise. But their perspectives evolve at the same pace, they’re both really smart and funny, and the voice they share is almost frighteningly beautiful, a caress with an adamantine core. (It also provides its title.) “If the Car Beside You Moves Ahead,” released as a standalone single, has the outward arc of a conventional pop song, but its inner workings are mystifying. Got cheese? Is he true? Ein Motivationssong fürs Leben.Die Hamburger Band “Revolverheld” liefert 2018 ihren Fans endlich wieder neue Musik.

Working with producer David Wrench, who’s helped ground records by FKA Twigs and Sampha, Let’s Eat Grandma create a mini-epic that doesn’t feel like one. However serene it may be, though, “Beauty of Falling Leaves” is still heavy as fuck. Refusing to sprawl, Jenny Hollingsworth and Rosa Walton are fully in control throughout.


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